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ASSOCIATION ANÂHATA - MUSIQUES HORS FRONTIERES


COMMUNIQUE

FESTIVAL "INVENTIONEN 92" BERLIN


Two concerts
with works by
JEAN-CLAUDE ELOY


In collaboration with the DAAD
Berliner Künstlerprogramm Berlin
And the electronic music studio from the
Technische Universität TU Berlin
______________________________________________________

SUNDAY 19 JANUARY 1992
Zeiss-Grossplanetarium Berlin

17:00
"ANÂHATA III" 1984/86
(UA, new version - 1h40')


19:00
"GAKU-NO-MICHI" 1977/78
full version (DE - 3h50')


with
Hiromi YOSHIDA (Shô, O-Shô)
Sngkn KIM (Sheng-Alto, Sheng-Hwang)
Jean-Claude ELOY (Electro-acoustic)
______________________________________________________

FRIDAY 7 FEBRUARY 1992
Akademie der Künste


20:00

"Libérations" (cycle 1)
"ERKOS" 1991
(BE - 1h10')
"BUTSUMYÔE" 1989
(DE - 45')
"SAPPHO HIKÈTIS" 1989
(DE - 21')


with
Junko UEDA (Satsuma-Biwa, Voice)
Yumi NARA (Soprano)
Fatima MIRANDA (Voice, Percussion)
Jean-Claude ELOY (Electro-acoustic)

UA (first world) DE (first german) BE (first berlin)

______________________________________________________

MARATHON CONCERT UNDER THE STARS

SUNDAY 19 JANUARY 1992
ZEISS-GROSSPLANETARIUM
Prenzlauer Allee 80
Ost - 1055 Berlin

17:00

"ANÂHATA"
("the unheard sound", "the sound beyond all sounds")
1984/86

by
JEAN-CLAUDE ELOY

Part 3
"NIMÎLANA/UNMÎLANA" (Berlin version)
("That which Awakens/That which Slumbers")
an electro-acoustic work
with live ethnic intruments
(Shô's and Sheng's, mouth organs from Asia)
UA, new version
Electro-acoustic production
Sweelinck Conservatory, Amsterdam
INA-GRM, Paris
ART, Geneva
Technische Universität TU, Berlin


"Galaxy 1"
"Awakening"
"The flower and the stars"
"The flower in the dark"
"The flower in front of the sea"
"Abendblume"
"Galaxy 2"
"Towards the Source"

Hiromi YOSHIDA (Shô, O-Shô)
Sngkn KIM (Sheng-Alto, Sheng-Hwang)
Jean-Claude ELOY (Electro-acoustic)

(non-stop performance : about 100')

19:00
"GAKU-NO-MICHI"
("the Ways of music", "the Way of sounds")
1977/78
DE
for electronic and concrete sounds

by
JEAN-CLAUDE ELOY

Production
Electronic Music Studio
Nippon Hoso Kyokai NHK, Tokyo

"Pachinko"
Introduction sound

I - "Tokyo"
the Way of daily sounds
(from concrete to abstract)

II - "Fushiki-è"
("Towards that which is unknowable")
the Way of meditation sounds
(from abstract to concrete)

"Mokuso"
("Contemplation")
Immobilisation sound

III - "Banbutsu-no-Ryudo"
"The unceasing flow of all things")
the Way of metamorphoses of meaning
(from concrete to concrete)

IV - "Kaiso"
("Memory traces")
the Way of meaning beyond metamorphoses
(from abstract to abstract)

"Han"
Prolongation sound

Jean-Claude ELOY: electro-acoustic regie
With the help of the electronische musik studio
Technische Universität TU Berlin

(non-stop performance : about 220'/240')

_____________________________________________________

LIBERATIONS
(cycle 1)

by
JEAN-CLAUDE ELOY

FRIDAY 7 FEBRUARY 1992
AKADEMIE DER KÜNSTE
Hanseatenweg 10
West - 1000 Berlin 21

20:00

1 - "ERKOS"
("chant, devotion")
1991
(BE)

texts: Devî-Upanishad, Devî-Mâhâtmya
language: Sanskrit

Junko UEDA: Satsuma-Biwa, voice, percussion
Jean-Claude ELOY: electro-acoustic

"Introduction"
"Biwa 1"
"Unban"
"Biwa 2"
"Choruses"

Production:
Studio für Elektronische Musik
Westdeutscher Rundfunk (WDR) Köln
Co-production: Institut Français de Cologne
advisors on the Sanskrit language:
Usha Shastry, Annie Montaut


Intermission


21:30

- "BUTSUMYÔE"
("the ritual of repentence")
1989 (DE)

text : Ihara Saikaku
(excerpts from the final scene of the novel;
"Life of a voluptuous woman")
language: ancient Japanese from the Osaka area

Yumi NARA : vocal solo, sung-spoken recitation
Fatima MIRANDA : accompaniment (chant, cries, percussion)

advisors on the Japanese language :
Eiko Kasaba, Shinju Kobayashi, Yumi Nara

3 - "SAPPHO HIKÈTIS"
("the imploration of Sappho")
1989 (DE)

Textes: Sappho (excerpts from the first three fragments)
language: Greek (modern)

Fatima MIRANDA: first voice
Yumi NARA: second voice (metal percussion)
Jean-Claude ELOY: electro-acoustic

Production for "Butsumyôe" and "Sappho Hikètis" :
Festival d'Automne de Paris
Commissionned by the the French Ministery of Culture,

for the bicentenial.
Electro-acoustic realisation ("Sappho Hikètis") :
Sweelinck Conservatory, Amsterdam, 1984-1986
Co-production : Jean-Claude Eloy - CIAMI
Co-realisation :
Percussion material ;
Michael Ranta - "Asian Sound", Köln
(with Cony's studio, Neuenkirchen) 1984
Electro-acoustic transformations ;
INA-GRM, Paris 1985 Pre-mixings ;
Studio ART, Geneva 1985
advisor on the Greek language ; Nelly Georgoudis
________________________________________________

ASSOCIATION ANÂHATA - MUSIQUES HORS FRONTIERES

COMMUNIQUE

FRIDAY 7 FEBRUARY 1992
AKADEMIE DER KÜNSTE
Hanseatenweg 10
1000 Berlin 21

20:00

JEAN-CLAUDE ELOY
"LIBERATIONS"
(cycle 1)

"ERKOS"
("chant, devotion")
1991
(BE - 1h10')

Intermission

"BUTSUMYÔE"
("the ritual of repentence")
1989
(DE - 45')

"SAPPHO HIKÈTIS"
("the imploration of Sappho")
1989
(DE - 21')

with
FATIMA MIRANDA (Voice, Percussion)
YUMI NARA (Soprano)
JUNKO UEDA (Satsuma-Biwa, Voice)
JEAN-CLAUDE ELOY (Electro-acoustic)

 

 
 

autres infos :

Donaueschingen 1990

Köln WDR "Musik der Zeit" 1991

Strasbourg "Musica" 1991

Warsaw Autumn 1994

Bordeaux "Sigma" 1996

Grenoble "38e Rugissants" 1996

Lyon "Musiques en Scène" 1997

Paris INA-GRM
Radio-France
"Présences 2000"

Grenoble "38e Rugissants" 2001

Köln "Musik der Gegenwart" 2001

Dijon
festival "Why Note"
2002

Taipei
"Sounding Taipei"
2004

Montréal
Planétarium
"Pulsar" 2006

Cologne
University
2008

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