ASSOCIATION
ANÂHATA - MUSIQUES HORS FRONTIERES
COMMUNIQUE
FESTIVAL
"INVENTIONEN 92" BERLIN
Two concerts
with works by
JEAN-CLAUDE ELOY
In collaboration with the DAAD
Berliner Künstlerprogramm Berlin
And the electronic music studio from the
Technische Universität TU Berlin
______________________________________________________
SUNDAY
19 JANUARY 1992
Zeiss-Grossplanetarium Berlin
17:00
"ANÂHATA III" 1984/86
(UA, new version - 1h40')
19:00
"GAKU-NO-MICHI" 1977/78
full version (DE - 3h50')
with
Hiromi YOSHIDA (Shô, O-Shô)
Sngkn KIM (Sheng-Alto, Sheng-Hwang)
Jean-Claude ELOY (Electro-acoustic)
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FRIDAY
7 FEBRUARY 1992
Akademie der Künste
20:00
"Libérations"
(cycle 1)
"ERKOS" 1991
(BE - 1h10')
"BUTSUMYÔE" 1989
(DE - 45')
"SAPPHO HIKÈTIS" 1989
(DE - 21')
with
Junko UEDA (Satsuma-Biwa, Voice)
Yumi NARA (Soprano)
Fatima MIRANDA (Voice, Percussion)
Jean-Claude ELOY (Electro-acoustic)
UA
(first world) DE (first german) BE (first berlin)
______________________________________________________
MARATHON
CONCERT UNDER THE STARS
SUNDAY
19 JANUARY 1992
ZEISS-GROSSPLANETARIUM
Prenzlauer Allee 80
Ost - 1055 Berlin
17:00
"ANÂHATA"
("the unheard sound", "the sound beyond all sounds")
1984/86
by
JEAN-CLAUDE
ELOY
Part
3
"NIMÎLANA/UNMÎLANA" (Berlin version)
("That which Awakens/That which Slumbers")
an electro-acoustic work
with live ethnic intruments
(Shô's and Sheng's, mouth organs from Asia)
UA, new version
Electro-acoustic production
Sweelinck Conservatory, Amsterdam
INA-GRM, Paris
ART, Geneva
Technische Universität TU, Berlin
"Galaxy 1"
"Awakening"
"The flower and the stars"
"The flower in the dark"
"The flower in front of the sea"
"Abendblume"
"Galaxy 2"
"Towards the Source"
Hiromi YOSHIDA (Shô, O-Shô)
Sngkn KIM (Sheng-Alto, Sheng-Hwang)
Jean-Claude ELOY (Electro-acoustic)
(non-stop performance : about 100')
19:00
"GAKU-NO-MICHI"
("the Ways of music", "the Way of sounds")
1977/78
DE
for electronic and concrete sounds
by
JEAN-CLAUDE
ELOY
Production
Electronic Music Studio
Nippon Hoso Kyokai NHK, Tokyo
"Pachinko"
Introduction sound
I
- "Tokyo"
the Way of daily sounds
(from concrete to abstract)
II
- "Fushiki-è"
("Towards that which is unknowable")
the Way of meditation sounds
(from abstract to concrete)
"Mokuso"
("Contemplation")
Immobilisation sound
III
- "Banbutsu-no-Ryudo"
"The unceasing flow of all things")
the Way of metamorphoses of meaning
(from concrete to concrete)
IV
- "Kaiso"
("Memory traces")
the Way of meaning beyond metamorphoses
(from abstract to abstract)
"Han"
Prolongation sound
Jean-Claude
ELOY: electro-acoustic regie
With the help of the electronische musik studio
Technische Universität TU Berlin
(non-stop
performance : about 220'/240')
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LIBERATIONS
(cycle 1)
by
JEAN-CLAUDE ELOY
FRIDAY
7 FEBRUARY 1992
AKADEMIE DER KÜNSTE
Hanseatenweg 10
West - 1000 Berlin 21
20:00
1
- "ERKOS"
("chant, devotion")
1991
(BE)
texts:
Devî-Upanishad, Devî-Mâhâtmya
language: Sanskrit
Junko
UEDA: Satsuma-Biwa, voice, percussion
Jean-Claude ELOY: electro-acoustic
"Introduction"
"Biwa 1"
"Unban"
"Biwa 2"
"Choruses"
Production:
Studio für Elektronische Musik
Westdeutscher Rundfunk (WDR) Köln
Co-production: Institut Français de Cologne
advisors on the Sanskrit language:
Usha Shastry, Annie Montaut
Intermission
21:30
-
"BUTSUMYÔE"
("the ritual of repentence")
1989 (DE)
text
: Ihara Saikaku
(excerpts from the final scene of the novel;
"Life of a voluptuous woman")
language:
ancient Japanese from the Osaka area
Yumi NARA : vocal solo, sung-spoken recitation
Fatima MIRANDA : accompaniment (chant, cries, percussion)
advisors on the Japanese language :
Eiko
Kasaba, Shinju Kobayashi, Yumi Nara
3 - "SAPPHO HIKÈTIS"
("the imploration of Sappho")
1989 (DE)
Textes:
Sappho (excerpts from the first three fragments)
language:
Greek (modern)
Fatima MIRANDA: first voice
Yumi NARA: second voice (metal percussion)
Jean-Claude ELOY: electro-acoustic
Production
for "Butsumyôe" and "Sappho Hikètis"
:
Festival d'Automne de Paris
Commissionned by the the French Ministery of Culture,
for
the bicentenial.
Electro-acoustic realisation ("Sappho Hikètis") :
Sweelinck Conservatory, Amsterdam, 1984-1986
Co-production : Jean-Claude Eloy - CIAMI
Co-realisation :
Percussion material ;
Michael Ranta - "Asian Sound", Köln
(with Cony's studio, Neuenkirchen) 1984
Electro-acoustic transformations ;
INA-GRM,
Paris 1985 Pre-mixings ;
Studio
ART, Geneva 1985
advisor
on the Greek language ; Nelly Georgoudis
________________________________________________
ASSOCIATION
ANÂHATA - MUSIQUES HORS FRONTIERES
COMMUNIQUE
FRIDAY 7 FEBRUARY 1992
AKADEMIE DER KÜNSTE
Hanseatenweg 10
1000 Berlin 21
20:00
JEAN-CLAUDE
ELOY
"LIBERATIONS"
(cycle 1)
"ERKOS"
("chant, devotion")
1991
(BE - 1h10')
Intermission
"BUTSUMYÔE"
("the ritual of repentence")
1989
(DE - 45')
"SAPPHO HIKÈTIS"
("the imploration of Sappho")
1989
(DE - 21')
with
FATIMA MIRANDA (Voice, Percussion)
YUMI NARA (Soprano)
JUNKO UEDA (Satsuma-Biwa, Voice)
JEAN-CLAUDE ELOY (Electro-acoustic)