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MUSIQUES HORS FRONTIERES
MUSIC BEYOND BORDERS
MUSIK AUSSER GRENZEN
INFO-ELOY-INFO-ELOY-INFO-ELOY-INFO-ELOY-INFO
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MONOGRAPHY JEAN-CLAUDE ELOY
WORKS FROM THE EIGHTIES
WARSAW AUTUMN FESTIVAL
16th AND 17th SEPTEMBER 1994

The "Warsaw Autumn" - an International Festival of Contemporary Music - will propose its 37th edition next Septembre, opening on the 16th and 17th with four concerts dedicated to the composer Jean-Claude Eloy, focusing on his works from the eighties.
The cycle entitled "Anâhata" - which was not performed again since its integral presentation at the Donaueschingen Festival 1990 -, will be proposed under a version specially realized for Warsaw.
During the eighties, the composer went radicaly his way towards an integration of traditional musicians belonging to non-western civilisations, respecting their acoustic specificities, but confronting them with western modernity, invention, freedom, and tranformations of the music idioms and new technologies. In an inverse and complementary direction, he worked with musicians coming from the western world, but whose researches are leading beyond the usual limits of their own culture, standardized instruments, or vocal technics. Both sources were combined in parallel with an intensive work inside different electroacoustic studios, offering a wide variety of technologies and tools. This type of approach was possible only through multiple international collaborations: WDR-Cologne, Studio für Elektronische Musik (for "Erkos"); Technische Universität TU, Berlin; Studio of the Sweelinck Conservatory, Amsterdam (for "Anâhata"); Instituut voor Sonologie, Utrecht (for "Yo-In"); etc ...
It is therefore a true contemporary approach which aims at enlarging and overpassing the admitted border lines: cultural, ethnical, geographical, vocal, technological, of time proportions and perceptions, etc … "Music Beyond Borders" is thus the correct title chosen by the composer at the head of his activity.
It is the first time that the works by Jean-Claude Eloy are entering inside the geopolitical space which composed the former Eastern Europe, except for the Zagreb Biennial (which received the composer as early as 1979), and the Eloy's concerts organized in 1992 at the Zeiss-Grossplanetarium, in the former East-Berlin.


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Informations
"Warszawska Jesien" ("Warsaw Autumn")
Rynek Starego Miasta 27, PL 00-272 Warszawa, Poland
tel; + (48 22) 31 06 07 or 31 16 34
fax; + (48 22) 31 06 07

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16th SEPTEMBER CONCERT 1


"ERKOS" ("Chant, praise") 1989/91 (68')
for a Satsuma-Biwa player and Shômyo-chant soloist
electroacoustic
light

JUNKO UEDA solo instrument and voice (Biwa, Shômyo)
JEAN-CLAUDE ELOY coordination, mixings, sound projection
Sound technics from the Polish-Radio, Warsaw
and the Technische Universität TU, Berlin
GERALD LAFOSSE lights

 

16th SEPTEMBER CONCERT 2

"ANÂHATA" ("The sound beyond all sounds") 1984/86
for three Shômyo-chant vocalists
one percussionnist
electroacoustic
lights

"Warsaw" version :
1) "Anâhata I" part one and part two (about 100')

KÔSHIN EBIHARA solo monk-singer, Tendai sect (Japan)
KÔJUN ARAI solo monk-singer, Shingon sect (Japan)
JUNKO UEDA solo voice ("Shômyô" technics)
MICHAEL RANTA percussions
(instruments: "Asian-Sound" Köln)
JEAN-CLAUDE ELOY coordination, mixings, sound projection
GERALD LAFOSSE lights regie


Intermission


2) "Galaxies" 1 and 2 from "Anâhata III" (about 40')
electroacoustic
(first world performance of the new version)


JEAN-CLAUDE ELOY: mixing, sound projection
Sound technics from the Polish-Radio, Warsaw
and the Technische Universität TU, Berlin

 

17th SEPTEMBER CONCERT 3

"LIBERATIONS" ("Deliverances"): cycle 1 (1986/89) (65')
for two solo female voices playing percussions
with electroacoustic

1) "BUTSUMYÔE" ("The ceremony of repentance")
2) "SAPPHO HIKÈTIS" ("Sappho imploring")

YUMI NARA soprano, sung-spoken vocal technics
FATIMA MIRANDA soprano, extended vocal technics
JEAN-CLAUDE ELOY sound projection, mixings
Sound technics from the Polish-Radio, Warsaw
and the Technische Universität TU, Berlin
GERALD LAFOSSE lights

 

17th SEPTEMBER CONCERT 4

"YO-IN" ("Reverberations") 1980 (220')
music for an imaginary ritual, in 4 acts
for a character-percussionnist, electroacoustic, lights

- Act 1: Dawn. Call. Ritual of Imploration
- Act 2: Noon. Unification. Ritual of Integration
- Act 3: Twilight. Meditation. Ritual of Contemplation
- Act 4: Night. Exorcism. Ritual of Liberation

MICHAEL RANTA character-percussionnist
(instruments: "Asian-Sound" Köln)
JEAN-CLAUDE ELOY coordination, mixings, sound projection
Sound technics from the Polish-Radio, Warsaw
and the Technische Universität TU, Berlin
GERALD LAFOSSE lights regie


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autres infos :

Donaueschingen 1990

Köln WDR "Musik der Zeit" 1991

Strasbourg "Musica" 1991

"Inventionen" Berlin 1992

Automne de Varsovie 1994

Bordeaux "Sigma" 1996

Grenoble "38e Rugissants" 1996

Lyon "Musiques en Scène" 1997

Paris INA-GRM
Radio-France
"Présences 2000"

Grenoble "38e Rugissants" 2001

Köln "Musik der Gegenwart" 2001

Dijon
festival "Why Note"
2002

Taipei
"Sounding Taipei"
2004

Montréal
Planétarium
"Pulsar" 2006

Cologne
University
2008

 

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